Last weekend, I had the pleasure of visiting the Ron Mueck exhibition at the National Gallery of Victoria.

Ron Mueck (1958-) is an Australian-born hyper-realist sculptor who now works in the United Kingdom. His latest exhibition displays 11 of his key works.

Mueck’s sculptures attempt to reproduce the minute detail of the human body, but play with scale to produce disconcertingly jarring visual images. His characters are often naked and suspended in states of self-consciousness, introspection or deep contemplation. Viewing them almost  breeds embarrassment or empathy at the vulnerability of the individual.

The technical skill in producing such detailed works is impressive. The head, with it’s fine strands of hair and small patches of blood on A Girl (an oversized newborn baby, complete with remains of an umbilical cord) has to be seen to be believed, because aside from the gigantic scale, looks entirely real.

Of course, not everyone likes Mueck’s work. Guardian columnist Jonathan Jones described his works in 2006 as “blank, empty and brainless” and Mueck’s admirers as people who needed to get out more. Naturally, others disagree, including myself.

One of my favourite sculptures was Old Woman in Bed (2000), which I consider the most evocative of Mueck’s works.

Ron Mueck’s exhibition is showing at the National Gallery of Victoria until 18 April 2010. Entry for adults is $15.

Today I attended the Great Moments in History sand-sculpturing event in the Melbourne suburb of Frankston, and had a great time!

^{A Spanish conquistador, made of sand.}

I’d never been to a sand-sculpting event before, although I’d seen pictures of sand-sculptures on television so I was taken aback with the beauty and detail  of the sculptures when I saw them for myself.

^{_{Workers add touches to the Sydney Opera House sand sculpture.}}

Sand sculpture is the art of making temporary artworks from sand, using just sand and water for construction and simple tools to shape the works. Each work is called a pile, and there were 18 piles at the Great Moments in History exhibition.

Organised by Sandstorm Events, the exhibition travels around various parts of the country, charging a small entry free for viewing. The show has been located in Frankston for the past few years, appearing on the foreshore every summer.

_{A tribute to ancient Egyptian society}

As the name would suggest, this year’s show depicted various moments in history, starting with the Egyptian pyramids and ending with the best inventions of the 2oth century. There were sculptures depicting the Roman, Spanish, French and British empires, the moon landing, the Crusades, the World Wars and even Barak Obama!

^{The Vietnam War, executed in sand.}

My favourite sculptures were those depicting the Spanish empire, and the Roman empire. I was also especially impressed with the Aztec temple, which stood 6 metres high!

There was an Australian sculpture, which depicted the nation’s discovery by Captain James Cook, an Aboriginal elder, kangaroos, Vegemite, a meat pie, and the winning of the Americas Cup amongst other events.

The quality and detail of the sculptures varied. Whilst the Chinese display had a beautifully detailed dragon, I felt the other components were relatively plain. There was also some technical inconsistency in the “greatest inventions” display, although the wrapped dynamite sticks were very well executed.

Local Frankston sand is not used for the sculptures as it is unsuitable for sculpture. In the case of the Great Moments in History exhibition, builders’ sand was quarried from the Graham Quarries in Langwarren, which accounts for its orangey colour.

I thoroughly recommend a visit to the Great Moments in History exhibition in Frankston. Located on the foreshore near the Kananook Creek Bridge, entry to the exhibition costs $10 for adults. A programme costs an additional 50¢.

The show will remain open until 26 April 2010.

I was browsing through my photo album today when I discovered an old photo that I’d shot on film back in 1999.

The photograph was of a topiarised specimen of Chamaecyparis lawsoniana, which I Christened the “Happy Conifer“.

The shrub grew in the the front garden of a house in Vermont South. Seeing it again, a smile immediately came to my face, not just because of its appearance, but because of the story that lay behind the Happy Conifer’s creation.

^{The Happy Conifer in Danielle Court, Vermont South. Photographed by the author in 1999.}

As you can see from the photograph, the conifer had been clipped into a lovely big face, complete with bristling big eyebrows. Standing on the corner of two streets, it almost appeared to have a personality of its own.

Despite its jovial appearance, it is the story behind this topiary’s creation that I find most interesting. For the Happy Conifer was in fact a happy accident of sorts.

The owner of this property (whom I don’t know personally) appeared to be very keen on growing conifers. In fact, his entire garden consisted of hundreds of different species, all beautifully trimmed into neat shapes. Sometimes I would see the owner trimming his plants, standing atop a trestle that he’d especially erected for the purpose.

Clearly, I was not the only person who’d noticed his dedication to horticultural art, because someone with a more devious motive made a decision to do some topiary of their own.

The Happy Conifer is Born.

One Sunday morning when I was passing by, I noticed there’d been a sudden change in the landscape.

Maybe it was drunken Saturday-night prank? Maybe it was just a dare or an act of coniferous jealousy? Whatever it was, I quickly noticed that someone had passed-by under the cover of darkness and hacked a giant face into the conifer. Appreciating the effort that went into this garden, I felt somewhat sorry for that poor man who spent all the time clipping his plants. Yet at the same time, I have to admit to being somewhat amused because it really did look funny.

I was expecting that the gardener would probably let the face ‘grow out’ and write it off as a nasty act of vandalism. But instead, it seems he may have been amused too because rather than disappearing, the face underwent some ‘plastic surgery’ over the next few years. Slowly it was transformed from a few crude shapes into a piece of sculpture!

Obviously, I was not the only resident curious to watch the transformation. Another local resident went to the trouble of submitting a photo to the Burke’s Backyard magazine in 1998. Norma Shaw’s image, reproduced below, clearly shows the Happy Conifer during its transitive years.

^{A photograph of the Happy Conifer by Norma Shaw,which appeared in Burke’s Backyard magazine in 1998.}

After many many years of amusing Vermont South residents, the Happy Conifer met its demise not too long ago, in a storm. It has since been removed. Having myself moved away from the area, I have no idea whether the same people still live in that house in Danielle Court,  Vermont South.

Nevertheless, having brought a smile to my face, I thought it only reasonable to spread the joy to others; the sort of joy that only a shrub with a face can provide.

There was an amusing story on ABC News tonight from South Korea, where a local man in Seoul is gaining notoriety for his strong resemblance to North Korean despot, Kim Jong-il (김정일).

Sharing the same surname and an uncanny likeness to the “Dear Leader”, Kim Young-sik has become well-known for his impersonation of  the world’s most mysterious dictator. You can watch Mark Willacy’s light-hearted story below, which was broadcast on ABC1 in Melbourne this evening:

Footage Copyright © 2009, Australian Broadcasting Corporation.

By trade, Kim Young-sik is an engraver, but since he discovered his resemblance to Kimg Jong-il, he has starred in Japanese film clips, Korean films and numerous public performances in Seoul.

^{The real Kim Jong-il}

As it turns out, Kim Young-sik is not the only Kim Jong-il impersonator, but he certainly seems to have become the most famous!

Following a successful appeal by the National Trust of Australia (Victoria), the famous Skipping Girl Vinegar neon sign in Abbotsford is once again illuminated.

The Skipping Girl sign was erected for Skipping Girl Vinegar in 1936. Her design was created by Jim Minogue in 1915, who won a competition to create a symbol for vinegar manufacturers Nycander & Co. Pty Ltd. He based his design on his eight-year old sister, Kitty (who later became a nun). When the factory was demolished in 1968 the sign was removed, but following a public outcry, a replica was created in 1970 and placed on the roof of the Crusader Plate factory in Abbotsford.

The sign, which is one of the most loved and recognised icons of Melbourne, has again been sitting in the dark since 2001, after it’s owners decided to pull the plug on funding and maintenance.

As reported on The Grapevine back in 2008, the National Trust was looking for $60,000 to have the sign restored.

Following generous donations from nostalgic Melbournians, the Heriage Council of Victoria, the Melbourne Heritage Restoration Fund and an electricity company, the sign was taken down in March for restoration at Delta Neon’s factory in Heidelberg.

Last Wednesday 10 June, the restored sign was illuminated for the first time.

Unfortunately I was unable to attend the big launch, but I had a good look this evening and it was great to see Little Audrey skipping again.

As an added bonus, “green electricity” is being supplied by an electricity company to keep her illuminated and minimise any negative environmental effects arising from her operation.

More information:

The Skipping Girl sign shines every night at 651-653 Victoria Street, Abbotsford.

The sponsoring electricity company has provided a website here, and you can also see pictures of the restoration at Delta Neon by Mimmo Cozzolino and the Heritage Council on Flickr.